Lori’s interest in art first piqued as a child watching her godfather, Jack Naismith, sketch and paint in Medicine Hat, Alberta. Later—during her education degree at the University of Alberta—she enrolled in several drawing and painting classes which persisted well into her teaching career.
When Lori and her family relocated to Calgary she began studying under artist Karen Swearengen and found her focus shifting in favour of her art. During this time she painted landscapes and still-life in oils eventually switching to watercolour and pen and ink. After branching out to explore fabric painting in clothing design and themed room murals, Lori returned to watercolour, the medium she enjoys most to this day.
Now, spending most of the year on the West Coast and summers in the Columbia Valley, Lori is able to explore her love of nature in two of the most beautiful areas of the province.
Lori’s work has been sold in art shows, galleries, and coffee shops in Calgary, White Rock, Invermere and Fairmont.
Artist Statement
My art is inspired by the idea that the perception of what we see is strongly linked to personal experiences and emotions. Most of my memories come back to me in bits and pieces of vibrant colours, shapes and forms. Like my memories, my paintings, whether they are an entire event, place or thing, or the parts of it that are most visually interesting to me, are always made up of vibrant colours and strong contrasts.
I begin a painting by planning it out structurally and visualizing it in detail, but before I put pencil to paper it has already taken on a life of its own. With each pencil line and brush stroke, my imagination comes to life. Whenever I paint wildlife, flowers, or buildings, I take what I see initially and transform it to a colour intensity and form that represents my perception of the object. It is for this reason that I am drawn to watercolour. My initial drawings provide structure and the paintings, often done wet on wet, provide freedom and flow.
I hope my paintings will summon pleasant memories or elicit a quiet sense of contentment in the viewer, or perhaps even cause the viewer to question what might be hidden between the lines of what we see and what we perceive.
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